John Philip Sage

Contact/filter Work CV

John Philip Sage (he/they) is a Graphic Designer and Researcher based in London. They co-run spreeeng, a graphic design cooperative practice, with Carlos Romo-Melgar, Héloïse d’Almeida, and Roxy Zeiher. They design exhibitions, publications, workshops, and other visual outlets, collaborating with institutions such as Tate, V&A, Design Museum, Prestel Publishing and White Cube. In their research they explore the relationship between publishing, performance, language, and typography, and they have developed several workshop methodologies around text activation, positionality and non-linear writing. They have been a lecturer at Kingston University and Camberwell College of Arts, and they are currently an associate member and tutor at STORE Projects. They have also participated in art residencies at Fabra i Coats (Barcelona) and Balmaceda Arte Joven (Santiago de Chile).

hello@johnphilipsage.com
New York
IG @johnphilipsage


BOARC

Prix Pictet: Confinement

Jan Kattein Architects

Mi Mensaje Para Ti

Romancero Books

STORE website

Education
2024 Type@Cooper Condensed Programme, Cooper Union
2013–2016 BA (Hons) Graphic and Media Design, London College of Communication
2009–2010 Architecture RIBA 2 MArch (Erasmus), London Metropolitan University
2005–2012 Master’s Degree (Ba + MSc) in Architecture, ETSAB Barcelona School of Architecture

Work
2019–Ongoing Member and co-founder of spreeeng design cooperative
2018–2021 Graphic Designer at the Tate Design Studio, London
2020 Graphic Designer at the V&A Design Studio, London
2016 Graphic Designer at Double Decker Curators, London
2016 Internship at Visual Editions Publisher, London

Teaching
2021–2025 Lecturer at Kingston School of Art, London
2023–2024 Lecturer at Camberwell College of Arts, London

Facilitating
2022 Curator and Supervisor at United Practice's Summer Event in collaboration with Carlos Romo-Melgar, Open Practice and V-RM Studio
2022 Design Advisor for 'A Line Which Forms a Volume 6' in collaboration with Carlos Romo-Melgar and Bryony Quinn. Design Supervision and coordination of the student-led publication at MA Graphic Media Design, London College of Communication
2021 Curator and Supervisor at United Practice's Summer Event in collaboration with Carlos Romo-Melgar, Open Practice and V-RM Studio

Workshops
2025 The Body as a Publisher (a Typographic Opera) workshop about Publishing, performance, language and typography, London College of Communication
2024 Somatic Publishing workshop about Publishing, performance and language in collaboration with Alessia Arcuri, Kingston University, London
2022–2023 Situated practices and Critical Positions workshop series about Design Research, positionality and non-linear writing in collaboratio with Carlos Romo-Melgar, IED Madrid, IED Kunsthal Bilbao and IED Barcelona
2024 DRAMA Erotica workshop on reading, writing and performing in collaboration with Alessia Arcuri and Giulia Astesani, Chisenhale Dancer Centre
2023 DRAMA on Listening workshop on reading, writing and performing in collaboration with Alessia Arcuri, Kingston School of Art
2023 DRAMA on Sobremesa workshop on reading, writing and performing in collaboration with Alessia Arcuri, Carmen Gray and Maria de la O Garrido, Apiary Studios
2023 DRAMA on Sound workshop on reading, writing and performing in collaboration with Alessia Arcuri and Eevee Zayas-Garín, Apiary Studios
2022 DRAMA on Carnality workshop on reading, writing and performing in collaboration with Alessia Arcuri
2022 DRAMA on Oversharing workshop on reading, writing and performing in collaboration with Alessia Arcuri as part of the Summer Event
2012 Research Through Design workshop about Design Research, IED Kunsthal Bilbao, Spain
2012 Parasocial Relationships workshop about fandom and merch, London College of Communication
2019 STORE Warsaw Summer School summer school about performative furniture In collaboration with Ujazdowski Castle Centre for Contemporary Art
2019 Sound Symbolism East Education Summer School, Here East, London
2018 Tools for Print Printmaking and 3D workshop, as part of STORE Projects, Woodbridge School
2018 Inflatable Structures VR and inflatable structures workshop, as part of STORE Projects, Open House London, University College London
2018 Queer Flags Graphic design and activism workshop, in collaboration with The Outside Project and Queerseum for London pride and Science Museum’s Late event on Sexuality
2018 Flatland Casting Workshop, as part of STORE Projects, Pimlico Academy

Lectures
2025 Around Cooperation, London College of Communication. University of the Arts London
2025 Typographic Gestures, Type&Faces, London
2023 Exchanges Between Graphic Design and Performance, Pratt Institute, Brooklyn
2021 Narrative Environments, IED Kunsthal Bilbao, Spain
2018 Diagrammatic Drawing, The Architectural Association, London
2018 Queer Objects, Universidad Católica de Chile, Santiago
2017 Neurodiversity and Design London College of Communication
Residencies
2012 Bidston Observatory Artistic Research Centre, Liverpool, UK
2019 Fabra i Coats, Barcelona, Spain
22018 Balmaceda Arte Joven, Santiago de Chile, Chile
2018 Queering Mozfest, London, UK

Press
2022 Creative Boom, article by Dom Carter
2021 Eye Magazine
2020 It's Nice That, article by Alif Ibrahim
2019 AIGA Eye on Design, article by Emily Gosling
2019 It's Nice That, article by Lucy Bourton
2018 Joia Magazine, article by Adriana Conde
2016 Metal Magazine, article by Jasmina Avellanedas
2014 Metal Magazine, article by Gabriel Bravo

Published writing
2024 Design Notes for MRPJ #60 written by Carlos Romo-Melgar and John Philip Sage, Movement Research Performance Journal - issue 60: Gender Disarray
2023 Design Notes for Eaten by the Internet written by Carlos Romo-Melgar and John Philip Sage, Eaten by the Internet, Meatspace Press
2023 Towards a Reparation of a Depleted Network written by Carlos Romo-Melgar and John Philip Sage, A Line which Forms a Volume 6
2021 Design Notes: AI Constrained Design written by Carlos Romo-Melgar, John Philip Sage and Roxy Zeiher, Fake AI, Meatspace Press
2020 Design Notes for Data Justice written by Carlos Romo-Melgar and John Philip Sage, Data Justice and COVID-19: Global Perspectives, Meatspace Press
2018 Temporary techno-social gatherings? A (hacked) discussion about open practices written by Kat Braybrooke, Luca M. Damiani and John Philip Sage

Selected clients
Bidston Observatory Artistic Research Centre
Design Museum
Fairwork
Farrell Centre
Goethe Institute
Islington’s Pride
Istituto Europeo di Design
Meatspace Press
Movement Research Performance Journal
Mozilla Foundation
National Portrait Gallery
NHS Foundation Trust
Oxford Internet Institute
Prestel Publishing
Prix Pictet
Romancero Books
Rose Choreographic School
Sadler’s Wells Theatre
Serpentine Gallery
Smut Press
Superflux Studio
Taher Jaoui
Tate
The Bittersweet Review
University of the Arts London
Victoria & Albert Museum
White Cube